Archive for October, 2006

Posted on Oct 31st, 2006

With an unsigned act, artist managers have to assume multiple roles: booking agent, graphic designer, publicist, promoter…

Most artists and bands want to achieve success in the music business, for instance earning enough from travelling and playing their beloved instrument to quitting their day job. Good management is almost always necessary to achieve any measure of success in this tough business. Many musicians are intelligent and resourceful, and certainly have the capacity to manage their own affairs, but the artist that can handle all this and progress in his art without losing focus and/or sanity is rare.

The basic question is when do you need a manager?

The simple answer is when you have something to manage. Sounds pretty obvious, but it is the most accurate answer I can give. Many artists and bands tend to seek management far too early in their careers, but others wait too long. Some artists and bands look for management to take over every aspect of the band’s business so they can just "show up and play…". Even if the manager could do it all, bands must understand that success or failure is solely the band’s responsibility. Not the manager’s.

The main reason an artist or band tends to seek a manager is because they want to be playing regular gigs as well as get extensive media attention to help promote the artist and their music. From the very first day, a good manager will be driven by an artist or band’s achievements, which may be as simple as having a great song written or access to a decent PA or an opportunity to perform for an A&R scout. Any "successful" regional act will tell you that practicing and playing are only a very small part of the job of being in a band; meeting club owners, networking with other bands, and studying the music industry are just a few of many responsibilities. Remember, it’s called the music business for a reason.

If you or your band is lucky enough to have a close friend outside the band (not a groupie!) with respect for the band and music, some computer skills, motivation to succeed, and basic business knowledge, you’re in luck! Most up-and-coming bands aren’t in the financial position to pay a manager or even pay their rent for that matter, so be sure to respect the free labour you’re receiving for what it is. Once your band is has established itself and written some material to perform live, utilize your resources to record a good demo tape, write a band biography, and have some professional pictures made. Basically, a killer press kit. Then, use those tools to help create some business to manage!

When you know you’re ready for a manager and haven’t got the full time to focus your attention on playing as well as your administrative duties, its essential to find the perfect manager.

Let me share what we can do for you…

(1) Artist/Band Management Services - with the extensive experience in the music business, and the skills to get you gigs through our effective zone booking strategies, we are bound to handle your work. Read more here.

(2) Killer Press Kit - if you feel you can be your own manager, its important to get your killer press kit sorted and to the highest standard otherwise you can’t make it. Read more here.

(3) Personal Coaching - let our personal coaching help you in the right direction and show you how to create the right framework for success, helping you to achieve your desire. Read more here.

We are a team of individuals that use our individual experience to work on your projects ensuring we create the right work for you. If you are interested in any of the services we provide, please get in touch by email at info@coachkavit.com or call +44 (0)20 8816 8773.

© Kavit Haria, The Musicians’ Coach

Kavit Haria is The Musicians’ Coach. Kavit is the director of InnerRhythm, a company that prides on providing success solutions for musicians worldwide. Kavit sends out a musician development newsletter to over 2000 musicians in 16 countries every fortnight to help them achieve their desired results. Sign up now and experience the huge benefits from www.innerrhythm.org

Posted on Oct 30th, 2006

A look at how digital clocks show synchronies as the new energy become more integrated

I would like to start with the understanding that all things are within me and I am becoming aware on a daily basis that this is so.

I am becoming aware of spirit round me, and the intelligence that this spiritual energy displays. For example, my eyes keep being drawn towards digital clocks to check the time. The numbers on the clock usually form an interesting pattern, like I had a 13:13, 18:18 and a 22:22.

I have also found that spirit can multiply for example I’ve had 06:18 and divide 04:21 where 2 was half four and 1 was half 2. You may think that this is a coincidence, but it is happening many times a day.

In the car I have two digital clocks with slightly different times, one on the dashboard and the other on the radio, and my attention is drawn to the one with an interesting number for me to look at.

Driving along the road yesterday, I left the house and after I had gone about a mile I got inspired to set the trip mile counter, only thinking myself that I would like to check the mileage to where I was going about 20 miles away.

Well just after I got half way there, you can imagine my surprise when I looked at the dashboard and saw the clock at 11.11 and the trip counter at 11.1 miles. I could only admire spirit for organising this event to happen.

How does spirit do this?

I have been wondering this myself for the last few days. Quite often spirit wakes me up in the night to look at the clock. An interesting pattern may appear. For example 5:05 or 6:26 where the two end figures are the same with a different centre figure.

The implications of this are quite interesting. It means that spirits have eyes to see and the intelligence to understand the meaning of the number and which clock has the right numbers. The question is, is it a spirit guide that looks like me with a full body? Which may coexist in the same space and time as me; or is it the impulses of energy themselves that are intelligent?

Like the individual photons of light? This I still have to figure out. I feel both present. I feel the spirit guides coexisting with me and in me. I feel the individual grains of energy on many different levels of my body and consciousness. I feel the consciousness of each cell, each molecule, each atom and each photon of light. I feel the field of energy like an electro magnetic field or aura at each level of my existence. I can move my awareness to each level; I can come out of myself into the field and look back and change my perspective.

What is spirit trying to tell me?

I am a firm believer that these energy fields connect everything in the universe, that the universal energy is involved on every level and in every decision. I am a firm believer that the mind does have free will. The field of energy puts forward a suggestion for an idea, maybe on one level of the mind, body or emotions. But it is the human brain that connects all these levels together and has the knowledge and experience to balance all the levels and make an intelligent decision, or not, depending on what that person decided he wants to create at that moment in time.

When the decision is made the whole of the universal energy rebalances itself and sets the conditions to fulfil that decision.

But it is this understanding that each impulse of energy is intelligent and seems to have eyes to see and a brain to understand that I am finding so fascinating. We all talk about angels, guardian angels and helpers.

Are these impulses of energy the angels?

Size has nothing to do with it. It is difficult to see the difference between the structures of one atom and that of our solar system. The atom has a positive electrical charge in the centre and negative electrons circling around. We have the sun, which you could say is positively charged as it always radiates energy and the planets are negatively charged as they receive the energy from the sun. One could be the same as the other just at a different scale.

Message channelled by George Lockett (C) Copyright 2005, All Rights Reserved. Read HealerGeorge’s Blog: Journey into the Self Yes, I can send you absent/distant healing: this will really help. Just follow the instructions on the home page of my web site at: HealerGeorge Web Site and Distant Healing

As you make your donation you will get the opportunity to put in your personal details, so I can focus the healing directly to you. Or ask at question at: Ask HealerGeorge

Posted on Oct 29th, 2006

Symbolic t-shirts offer a simple way to make a statement with maximum impact. As the saying goes, “a picture tells a thousand words” and these days there are far more than a thousand different t-shirts emblazoned with iconographic art that can help you say it. One classic t shirt that appears to be making a comeback is that of Ernesto ‘Che’ Guevara, Argentinean revolutionary and right hand man of Fidel Castro. He has been a poster boy for the radical left for the last 50 years and he’s now more visible than ever due to the “Motorcycle Diaries”, a film depicting his formative years. One effect of iconography is that once something has been elevated to the position of ‘icon’ it can often lose its original identity and context. This isn’t always a problem however in Guevara’s case it’s important to look at his life as a whole and his legacy, especially in Cuba.

It is easy to identify with the Che depicted in the film. As a young medical student, Guevara spent time working in a leper colony as he travelled through Chile, Peru and Venezuela with his friend Alberto Granado on a clapped out Norton 500. As well as seeing first hand the detached compassion displayed by the carers in the colony the young Guevara was also exposed to the reality of worker exploitation and political oppression present in Central and South America in the 1950’s. However the image of this young idealist is totally at odds with the Guevara that helped Castro overthrow the Batista regime in Cuba in 1959. Once in power, Guevara controlled the La Caba prison in Havana where he ordered the execution of hundreds of prisoners by firing squad without trial and when asked about this displays himself as somebody driven more by pure hate than the desire to change an oppressive regime. “This is a revolution!” he said. “And a revolutionary must become a cold killing machine motivated by pure hate." Guevara ended up being killed in Bolivia, chasing another revolution.

The regime which he helped create continues to violate human rights. There are many dissidents in Cuba who in recent times have been jailed and remain in jail for speaking out against the current regime. There is also a growing unease among well known and influential political activists that Western democracies are turning a blind eye to these ‘prisoners of conscience’. Vaclav Havel, playwright and ex president of the Czech Republic has been vocal in condemning the European Union’s public promise of crafting the guest lists of their embassies in accordance with the Cuban Government’s wishes. Havel believes that by doing so, another avenue used by the dissidents to generate change has been closed. Havel calls this “diplomatic apartheid” and he should know.

From the late 1960’s up to the fall of the Soviet Union Havel spoke out many times against the communist Czech government and was imprisoned for many years. It’s hard to compare a gun to the head with a cocktail party invitation however the spirit of Che still remains. Hatred and the persecution of ideas. Havel looks at things differently. He once said that “the salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and human responsibility.” The dissidents in Cuba want a real, lasting change for their country and they’re choosing to do this in a peaceful way. The image of Che Guevara with his beret on a designer t-shirt may still represent revolutionary change and ‘sticking it to the man’ but it’s also in poor taste when looking at his past actions and the current situation in Cuba.

Josef Grgas, March 2005.

Josef Grgas maintains a non commercial website relating to the work and philosophies of Czech playwright, dissident and politician Václav Havel. Find out more at http://www.livinginthetruth.com

Posted on Oct 28th, 2006

Is there a mystery here to be unravelled? Is there a serpent code being held by the Grail myths? Can we uncover this code by taking a look at the Lady of Lake? The answer is yes to all these questions, for held within the folds of the coiled snake we shall discover the truth of the origin of the Arthurian tales and the strange watery Lady who was to give Arthur his sword.

There are various names attributed to the ‘Lady of the Lake;’ Nimue and Vivienne are the two most used, but most pertinent to us here is ‘White Serpent.’ Nimue is probably Mneme or Mnemosyne, who is one of the Muses or ‘water nymphs’ from Roman and Greek mythology and who gave out weapons - just as the Lady of the Lake did. Vivienne in all likelihood comes from Vi-Vianna or Co-Vianna the ‘water goddess’ or Coventina of Celtic origin (’Coventina’s Well’ also had a skull offering discovered which is important in the worship of snakes and wisdom [1].)

These water deities are strongly related to the story of serpent worship, and united with the tale of the sword or weaponry, it introduces the duality of peace and war so well known in the serpent myths. The sword pierces and strikes and involves contemporaneously, the image of the serpent upon the blade via the unique metallurgy employed. This wonderful metallurgy of the Middle Ages and beyond reveals to us in actual artefacts that the serpent itself was fashioned into the blade as part of the process. This of course relates to the fact that Arthur’s sword was said to be a fiery serpent in the Dream of Rhonabwy. When Arthur’s sword is drawn it was said that two flames of fire burst out of the jaws of the two serpents, and so wonderful was the sword that it was hard for anyone to gaze at it. It is necessary for Arthur to maintain ownership of the sword, whether it is the sword from the stone or Excalibur, as it ensures his victory and his life. The infamous Arthurian writer, Malory, indicates the brightness of the sword and its fiery aspect, writing: "but it was so bright in his enemies eyes, that it gave light like thirty torches." But the sword in the stone does not last long and the Lady of the Lake gives Arthur his Excalibur, and also a serpent scabbard, which ensures eternal life. Malory states quite clearly "for whiles ye have the scabbard upon you, ye shall never lose no blood, be ye never so sore wounded; therefore keep well the scabbard always with you." It is only when Arthur’s half sister Morgan le Fay steals the scabbard and replaces it that Arthur becomes susceptible to the deadly blows of Mordred. The once prized sword is then returned to the water, the home of the Lady of the Lake - the serpent spirit.

There is a remarkable resemblance between the tales of Arthur’s sword and an unsuspecting Chinese legend. A hero from the 6th century BC named Wu Tzu-hsu threw his sword into a river "It shot forth like a spirit-glow, sparkling brightly as it thrice sank and thrice came to the surface with a great gush and then hovered above the water. The god of the river . . . heard the swords roar . . . he rolled in the waters in a great and frothing frenzy . . . Dragons raced along the waves and leaped out of the water. The river god held the sword in his hand and, frightened, told Wu Tzu-hsu to take it back." (Mair 1983, 141 and 286.) This story related in the 8th century AD simply cannot differ from Malory’s tale of the sword. In China there were tales of great swords such as Dragon Spring and others still that leap into the waters surrounded by dragons, which churn up the water. Wu Tzu-hsu’s sword is also called Dragon Spring. [2]

And this Dragon Spring carries us back again to the water nymphs who were seen universally as controlling the essential essence of life via their relationship with the healing waters, springs and lakes. Coventina was worshipped widely and it is highly likely that the Arthurian Morgan Le Fay is associated with her, as her name implies water nymph. There are also elements, which introduce her into the ‘Triple Goddess’ of the Celtic religion and therefore relating her to Bridgid. She was a great goddess of healing; linked strongly with water nymphs - and in relation to the sword she was also a great smith.

She also owned an apple orchard, which relates nicely to Avalon, the isle of apples. Her day is called Imbolc - around the 2nd February - but it is also known as Oimelc, Candlemas and in the USA as ‘Groundhog Day.’ This special event in the American calendar involves of course the mass killing of snakes, and relates to the tale of Bridgid’s snake, which comes out of the mound from which it had been hibernating.

At Oimelc it is said that the singers cry, "The day of Bride, the birthday of spring, The serpent emerges from the knoll." And in winter, Scottish folk poems still speak of the serpent that dwells in the hillside.

As the ‘Lady of the Lake’ forged Arthur’s sword, so too the various parts of these ancient goddesses simply must have been collated together in the form of this Arthurian water goddess - a new deity forged.

These goddesses, all basically the same, are also related to Sibyl or the Sibillia who presides over witches; and in the Ukraine one of the names for ‘witch’ actually means ’snake,’ and in Russia it was believed that witches had snake tails. This sheds more light on the idea that witches mixed their famous brews and elixirs in their cauldrons, very much like the cauldron such as the one discovered at Gundestrup. For if it is true what we uncovered in The Serpent Grail, then this brew was serpent venom and blood.

Sibillia has the ‘power over life’ and touches baskets and bottles with her wand to restore them afresh. Sibillia taught magical arts in her serpent grotto where shape-shifting fairies reminiscent of the naginis (female serpents) of India emerge and dance around. These fairies are said to turn into snakes each Saturday. Anyone who wished to enter this Sybil Cave must love snakes or suffer the consequences. Sibillia is also seen in the Life of Robin Goodfellow (similar to Robin Hood and which means "bright or shining hood") as Sib, who speaks for the fairies. She says that they live in "some great hill, and from thence we do lend money to any poore man or woman that hath need." In the 15th century, Perceforest has her as the ‘Lady of the Lake.’

In Scottish myth one of these fairies lived inside a tree and often appeared holding a limpet shell containing the ‘milk of wisdom’ which was called the "copan Moire" or "Cup of Mary" in her hands - an obvious allusion to the ‘life-giving’ element and wisdom of these snake, shape-shifters remembered in legend.

There are many other tales, which link these European snake shape-shifters to the Nagas of India and we would just like to break off for a moment to take a look at these peculiar deities.

Naga is a Sanskrit term meaning literally Serpent (especially cobra) but it also holds the meanings - a tree; a mountain; the sun; the number seven; wisdom and initiate - all symbols and emblems we will become familiar with in the worship of the serpent. They are said to reside in Patala, however this has a meaning similar to antipodes, the same name given by the ancients to the America’s. It is a similar term to the Mexican Nagals, the medicine (healers) and sorcerers who always kept a god in the shape of a serpent. In Burma they are Nats or serpent gods. Esoterically Naga is a term for wise men. There is a folk tradition that Nagas washed Gautama (Buddha) at his birth - the wise men visiting the deity on Earth and cleansing the enlightened one. They are also said to have guarded him and the relics of his body after his death.

According to H. P. Blavatsky in Theosophical Glossary, the Naga were descended from Rishi Kasyapa who had twelve wives (therefore he is the sun), by whom he had numerous Nagas (serpents) and was the father of all animals. Rishi Kasyapa can therefore be none other than a progenitor of the Green Man, and this explains the reasons for the appearance of the snake in images of the Green Man and Horned God, such as the Gundestrup Cauldron.

There is also a theory that the Nagas descended from the Scythic race and when the Brahmins invaded India they found a race of wise men, half gods, half demons (snakes). These men were said to be teachers of other nations and themselves instructed the Hindu’s and Brahmans.

In the Bhagavata Purana there is a description of the Bila-svarga or the regions of the Nagas said to be subterranean. Some of the names associated with this place relate remarkably to the Mesoamerican and South American terms such as Tlaloc. "My dear king, beneath this earth are seven other planets [seven is important in Atlantean myths - seven islands!], known as Atala, Vitala, Sutala, Talatala, Mahatala, Rstala and Patala… the residents are known as Daityas, Danavas and Nagas . . . brilliantly decorated cities . . . wonderful houses, walls, gates, assembly houses, temples, yards and temple compounds . . . The houses for the leaders of these planets are constructed with the most valuable jewels, and are always crowded with the living entities known as Nagas and Asuras . . . Many great serpents reside there with gems on their hoods, and the effulgence of these gems dissipates the darkness in all directions. Since the residents of these planets drink and bathe in juices and elixirs made from wonderful herbs, they are freed from all anxieties and physical diseases. They have no experience of gray hair, wrinkles or invalidity." (Bhagavata Purana)

There is currently a lot of debate about the original inhabitants of India - whether Aryan or Naga, but the fact remains, whether the Nagas were Aryans or not, they were an ancient inhabitant. The very fact that they were mentioned in the ancient Rig Vedas shows this to be true. They also intermarried with the Royal families, hence the popular myths of serpent kings.

"Then come the Naaga, the Siren serpents, whose worship has been so important a factor in the folklore, superstition, and poetry of India from the earliest times down to-day. Cobras in their ordinary shape, they lived, like mermen and mermaids, more beneath the water, in a great luxury and wealth, more especially of germ, and sometimes, as we shall see, the name is used of the Dryads, the tree-spirits, equally wealthy and powerful. They could at will and often did, adopt the human form and though terrible if angered, were kindly and mild by nature. Not mentioned either in the Veda or in the pre-Buddhist Upanishads, the myth seems to be a strange jumble of beliefs, not altogether pleasant, about a strangely gifted race of actual men; combined with notions derived from previously existing theories of tree worship, and serpent worship, and river worship. But the history of the idea has still to be written. The Naagas are represented on the ancient bas-reliefs as men or women either with cobra’s hoods rising behind their heads or with serpentine forms from their waist downwards." Rhys Davies, Buddhist India, p.223.

These tree deities were Nagas anyway as Rhys Davies continues on page 223 "The tree-deities were called Naagas, and were able at will, like the Naagas, to assume the human form and in one story the spirit of a Nunyan tree who reduced the merchants to ashes is called a Naaga-raja, the tree itself is a dwelling place of Naaga. It seems that they also left behind myths of healing as a story in the Journal of the Bombay Branch of the Asiatic Society demonstrates. When there was an epidemic among the children, it seems the only answer was to bring them to a snake skin which was hung on a pole and allow them to touch it - reminding us of the idea of the Brazen Serpent of Moses, which was upon a pole and for the healing of the "children" of Israel. This may explain why it is that the tree-gods are not specially and separately mentioned in the Maha Samaya list of deities who are there said by the poet to have come to pay reverence to the Buddha."

The history of the Nagas that we do have, textually beginning around the 7th century BC is an amazing history of ups and downs. It parallels the rise and fall of the serpent worshipped by the Semites, with the Brazen Serpent being raised in the wilderness and then broken up in the temple. Like Melusine and Sibillia, Tante Arie also loved to plunge into cool pools in her caverns of Milandre where she changed into a vouivre or serpent; bringing to mind the concept that the shape-shifting Nagas of India which were said to reside in the underwater realms. Surely these ladies of ancient lore are folk memories of serpent worshipping leaders from the past - and a positively feminine one at that. The Nagas were also said to have jewels in their foreheads, like many other serpents from legend. As if knowing this, the vouivre too wears a jewel in the middle of her forehead. The Nagas are also said to protect great treasure, so too do the ladies of European lore.

We know that the Scythians were great worshippers of the serpent from many sources - as in the bracelets found, which the women wore as symbols of fertility. The Scythians were intimately linked with the Naga, serpent worshippers of India via trade and war. They came to Europe via several means - one of them as hired hands of the Romans, and in this way crept into the Arthurian legend. Herodotus tells us of an account of the Scythian snake goddess who was mistress of the land where the Dniepr flowed into the Black Sea. This Scythian serpent goddess was also a cave dweller.

The xana serpent goddesses of Asturias even had a sacred and valuable chalice stolen by a human, only to eventually deposit the famed cup in a Church - thus taking the sacred cup from the serpent and giving it to Christianity. These xana’s kept their treasures in a "serpent cave" immersed in pools, remarkably like the Patala of the Nagas. In Wales the serpents were said to emerge and congregate on Midsummer’s Eve to blow into the Serpent Stones / Eggs or Glain Neidr which is reminiscent of Pliny’s tale of this activity amongst the Gauls. The snakes are said to create eggs or alternatively ‘new life.’ In Wales these serpent stones were said to be coloured pebbles, which gave ’second sight’ and healing.

Midsummer’s Eve was the night when the serpents would role themselves into hissing balls and create the glain egg, also known as ’snake stone’ or ‘Druid’s egg.’ In Welsh myth even Merlin himself went in search of them.

Victor H. Mair of the University of Pennsylvania also points to the association between the Scythian and the Arthurian tales: "The Nart sagas [repositories of Scythian traditions] contain parallels with Arthurian legend so numerous and so uncannily close that it is impossible they are unrelated."

Interestingly, remains of these Scythians have been found on the Silk Road to China. Remains here of Caucasians dates back even before that and at present stand somewhere in the region of 3,000 years BC, with female Shaman being buried in full regalia, tattoos of spirals and zig zags and long finger nails. This in itself shows the widespread travel of these Scythians or those like them and the transport of ideas, possible many thousands of years ago. In China of course, we find the serpents or dragons as friendly creatures who become the ancestors of the very Emperor’s themselves and seep into Chinese alchemy as symbols of the Elixir.

So, in summing up, what do we have? We have serpent deities, across the world, living in underwater kingdoms, making great weapons and guarding wondrous treasures. We have etymology linking them to the Lady of the Lake and we have Arthurian links and Grail connections through the mighty warrior race of the Scythians. In short, we have here, the truth of the Lady herself and the origin of the Grail mythos is yet again to be found within the tale of the snake. History, it seems, needs re-appraising.

Notes
1 See The Serpent Grail by Philip Gardiner and Gary Osborn, Watkins, 2005.
2 See http://www.phil.fah-designs.com/gardinerosborn/articles/article_8.html for more information about the serpent sword or visit www.philipgardiner.net and go to articles.

Permission to re-print this article is hereby given by Philip Gardiner and Gary Osborn, Sept 2005.

About the Author

Philip Gardiner is the author of the best selling The Serpent Grail, The Shining Ones, and Gnosis: The Secret of Solomon’s Temple Revealed. He does talks, lectures, has his own radio show and does tours across the world via www.powerplaces.com

Philip has a degree in marketing and 9 diplomas ranging from etymology to holistic medicine. He is hosting the Philip Gardiner’s Forbidden Knowledge Conference UK (FKCUK) in July 2006.

www.philipgardiner.net
www.gardinerosborn.com

Posted on Oct 27th, 2006

Whether stars of the Disney film National Treasure or pawns of modern day political and commercial propaganda, the Knights Templar have taken root as one of the world’s leading mystery groups. But what is the truth? Did they really have a great secret? Did they really hide treasure? Were they really guardians of the Holy Bloodline? Let’s take a look.

Originally supposedly a group of nine knights (debatable), taken from the ruling nobility in the region of France known as Champagne who collected themselves together in Jerusalem around 1118 AD and formed the now infamous Knights Templar. All of this cannot be totally proven from the texts – however it is repeated so often that it becomes true. In all likelihood they had been formed in France years before.

They were pledged, it is said, to commit their lives and work to a strict code of rules and on the face of it were simply ordained to ensure the safe passage of pilgrims to the Holy Land. The knights request this task of the first King Baldwin of Jerusalem, who refuses. He then dies supposedly under mysterious circumstances only to be replaced by Baldwin II who then almost immediately grants them this privilege. For the next nine (there’s that number again) years the knights excavate beneath the Temple of Solomon (which didn’t ever exist) in complete secrecy and the Grand Master returns to Europe, supposedly with secrets that have been hidden for hundreds of years. Very quickly the knights achieve a special dispensation from the Pope to allow them to charge interest on loans - indicating their swift path to wealth. Soon the great Cathedral building period arrives across Europe with the new found architectural “secrets” discovered by the crusaders. This new found knowledge may very well have come from some of the discoveries made by the Templars, especially when we consider that the man responsible for energizing the building program was none other than St. Bernard - the same Bernard who gave the Order of the Knights Templar their rules and who was related by blood to various members. The same St. Bernard indicated in the propaganda of the Arthurian and Grail literature.

The Templars grew in wealth and power. Their land holding and banking system made them one of the most powerful and feared groups in Europe. Virtually nobody could match their international strength. According to George F. Tull in Traces of the Templars they were also “well placed to obtain relics” as they held the respect of nobility and had many strategically placed premises across the Holy Land.

Near Loughton-on-Sea in England there are several Templar connected sites. The Temple here was “well provided with liturgical books, plate and vessels of silver, silver gilt, ivory and crystal, vestments, frontals and altar cloths. Among the relics kept there were two crosses containing fragments of the True Cross and a relic of the Holy Blood” whatever that might have been – it was not a bloodline. Tull also tells us of how some of these relics entered Britain, “Sometimes the ships returned with more specialized cargo, as when in 1247 Br. William de Sonnac, Master of the Temple in Jerusalem, sent a distinguished Knight Templar to bring to England and present to King Henry III ‘a portion of the Blood of our Lord, which He shed on the Cross for the salvation of the world, enclosed in a handsome crystalline vessel.’ The relic was authenticated under seal by the Patriarch of Jerusalem, the bishops, abbots and nobles of the Holy Land.” In Surrey the Templars held land known then as Temple Elfold with 192 acres of arable land. Here again in 1308 there was mention of a grail and a chalice. It is therefore obvious that part of the wealth of the Templars came from the propaganda tools of the medieval reliquary business, proving their astute business acumen and their ability to root out those tools. They were also incidental in spreading the cult of St. George, especially when we consider that they knew of his shrine in Lydda.

But in the early fourteenth century King Philip of France organized their downfall and the supposed secrets and wealth of the Templars disappears.

At their trials the Templars were not only accused of worshipping the sacred head, but also the veneration of the serpent. As Andrew Sinclair points out in The Secret Scroll, another Templar emblem was the foliated staff of Moses, the very same staff, which turned into a serpent and was itself emblematic of the serpent religious cult and healing.

The Rosslyn Missal, written by Irish monks in the twelfth century shows in itself Templar crosses with great dragons and sun discs. Upon the Secret Scroll itself is the symbol of the twelve tribes of Israel, the breastplate of Aaron (who’s serpent staff is said to be in the Ark) with twelve squares signifying the twelve tribes surmounted by a serpent. The serpent, ruling the tribes, “. . . the Serpent as a symbol obtained a prominent place in all the ancient initiations and religions. Among the Egyptians, it was s symbol of Divine Wisdom.” (The Secret Scroll, Andrew Sinclair, which of course has been dated by scholars to the 16th or even 18th century.) Many people believe that quite a few of the Templars and their secrets escaped to Scotland and the dawning of a new age of Freemasonry emerged in later years - thought to be directly from the Templars.

In the year 1314 King Edward of England invades Scotland, hoping to bring an end to the border battles. Meeting the Scottish army at Bannock Burn he is surprised by a force of well-trained men fighting for the Scots. The tide is turned and Scotland achieves independence, even if only for three years. The standard history has it that these well-trained men that turned the tide against the well-trained English army were nothing more than camp followers and servants. Many though, now believe that these were the famous knights Templar, who had taken root in Scotland and hidden away from Catholic tyranny. Strangely immediately after the battle Robert the Bruce, the new Scottish King, rewards the Sinclair family with lands near Edinburgh and Pentland. The very same lands associated with hundreds of Templar graves, sites, symbols and much more, such as Balantrodoch (Temple.)

An indication of the popular liking for the Templars is shown in the Peasant’s Revolt of Wylam Tyler in 1381 AD when a mob marched in protest of the oppressive taxes placed upon them. Strangely they did not harm the old Templar buildings, but instead turned their attentions on those of the Catholic Church. In one instance they actually carried things out of a Templar church in London to burn the items in the street, rather than damage the building. It may be that this uprising was a natural incident, or it may be that it was inspired by the actions of a hidden and now secret society of the Templars - hidden because of the new Catholic hatred towards them. If it is the case that the Templars did indeed inspire this revolt then, even though they were not successful, they tried again a hundred years later and forced the Reformation. It was around this period (15th Century) that the first records of Scottish and York Masonic meetings appear.

However lets take a rather sideways look at the history and symbolism of the Templars.

There are some strange links between Sumerian iconography and Templar symbolism, which need to be voiced. The most obvious Templar image is that if the two poor knights seated upon a horse, which is very similar to the idea and concept of two riders seen in ancient Sumeria. This was purely a tactical device in warfare – although there may be some truth in believing that it has origin in the “balance” hypothesis of the “twins.” The Templar cross is equally seen in many Sumerian images normally associated with an upturned crescent moon. The Fleur de Lys is also a common image as well as bees, which were common also to the Merovingians. The pentagram is also seen in the images of both and symbolized the essence of the Merovingians as the ‘Shining Ones.’

Another symbol seen in various forms from Sumeria to France is the Abraxus – a figure with snakes for legs – a symbol used for gods such as Oannes and not surprisingly this later became the symbol of the Grand Master of the Templar Order. What could this mean? That the head of the Order of the Templars saw himself as the chief of the serpents? In conjunction with the fact that the Templars also used the serpent symbol of eternity and immortality – the snake eating its own tail – then we have a serpent secret being held by the very highest of Christian guardians.

The Cross of Lorraine, a symbol used by the Templars before their usual “Maltese” style cross is seen in Sumeria as a symbol for kingship. These influences must have been picked up whilst the Templars were in the Middle East and then utilized later on. We know that they used the sign, as in the trials in the early 1300’s had the prisoners etching the symbol into the cell walls. What other ancient secrets did they collect?

The Cross of Lorraine was the emblem of heraldry for Rene D’Anjou, said by Charles Peguy to represent the arms of both Christ and Satan and the blood of both (from an article by Boyd Rice entitled The Cross of Lorraine: Emblem of the Royal Secret). It is also said to incorporate the symbol phi or the Golden Ration of Sacred Geometry – so very important to the Masons. Rene d’Anjou was keenly aware and interested in many things occult. He led a search for new (old) hermetic texts. The Cross of Lorraine was therefore taken on by Rene, and subsequently by Marie de Guise the wife of James Stuart V (parents of Mary Queen of Scots) for of its occult symbolism. This occult symbolism showed the cross to be representative of poison. Proof of this meaning comes also from the fact that it became an icon used by chemists (originally alchemists) on the bottles of poisonous substances. The idea of course is hidden in the duality. Why would monarchs and Templars use a sign for poison, if that poison did not have an opposite side? That of cure! Later on in the early twentieth century Aleister Crowley, the arch Magus and self proclaimed Alchemist would assign this very same symbol as the Sigil of Baphomet. The Cross of Lorraine is thought to be a sign of secrets; a sign of the Angelic Race, which came down and posited wisdom and the secrets of immortality upon the Royal Bloodline. According to Boyd Rice it is “a sigil of that Royal Secret, the doctrine of the Forgotten Ones.” And for this reason it seems peculiar that in the 1940’s Charles de Gaulle should make it the official symbol of the French Resistance.

We were playing with the standard Templar cross (Croix Patte) one day in our minds, wondering why and how it had evolved. We knew that it had eight points and all that this entailed but we wondered about what Fulcanelli had believed – that Gothic architecture was a three dimensional esoteric message. Due to the fact that the Templar mysteries emerged from many places including Arabic or Muslim influences, Judaic kabalistic beliefs and even Egyptian sacred rites, we were sure that there had to be another message enclosed within this simple shape. Basing the assumption upon the three dimensional aspect and wondering if there were any links to probably one of the greatest mysteries in the world we suddenly thought; if you cut out the cross from a piece of paper and lay it flat you have the two dimensional image. If you then take hold of the cross in the very center and lift it, you end up with a perfect pyramid – a symbol of Egyptian and Masonic wisdom and central to immortality. But, on some Templar crosses the edges are angled inwards to give the eight points. We thought that the pyramid of Giza had straight walls, until we looked deeper. The Great Pyramid at Giza holds a secret architecture – its walls bow inwards! Could it be, we wondered, that the Templar cross also had this hidden symbolism of the Great Pyramid? That it was fashioned to incorporate the three-dimensional geometry spoken of by the likes of Fulcanelli and said to have been spawned into Europe by the Templars and their brothers in the Cistercians? That these mysterious brothers in Gnosticism actually understood the meaning behind the symbolism of the pyramids – that it was symbolic in all aspects of the immortality of the serpent.

Baphomet

A mysterious object said to have been venerated by the Templars and to have been written about extensively over the past 30 years. Thought to be a skull by some.

One possible explanation for the origin of the word could strangely be found in the deserts of Yemen. The people who live here are called the Al-Mahara and they have developed many ways of combating snake poison. The special snake priests are called Raaboot men and they are said to have learned the secret by transition from father to son. Their legends state that they have immunity from snakebites.

If somebody is bitten, then a Raaboot man is called upon, who then sits by the patient along with several others who then chant in a monotone voice “Bahamoot, Bahamoot.” The poison is then vomited up or passed out of the body in the other direction. The Raaboot man then leaves. Again, here as we have pointed out before, the snake is said to have a jewel in its head, indicative of the enlightenment aspect.

Is it not possible that Bahamoot, as a chant for the curing of snakebites, could have made its way through the various cultures and found itself as a word for the ‘head serpent?’ – The same ‘head serpent’ that the Templars worshipped?

If nothing else, then the etymology of these two related items is so similar that it again shows in the language of the serpent cult, a worldwide spread.

Friday the 13th, October 1307, was a terrible day for the Knights Templars as King Philip IV’s men descended upon all of the order’s French holdings: seizing property, and arresting each of its members. Why? Simply because Philip owed them huge amounts of money and had no way of paying them back, and to add to this he had hoped that the infamous Templar treasure would be his.

With the help of his puppet, Pope Clement V, the French king tortured the knights to discover their secrets. Finally to justify his action, the knights were accused of heresy, homosexual practices, necromancy and conducting bizarre rituals such as desecrating the cross – as if to show their lack of faith in this Christian icon. This was, however a method of initiation and not a heretical act.

The most unusual and perplexing evidence they came across however, was the worship of this idol called Baphomet. This strange “thing” – although sometimes referred to as a “cat” or “goat” – was generally seen as a ‘severed head.’ Peter Tompkins in The Magic of Obelisks says: “Public indignation was aroused . . . the Templar symbol of Gnostic rites based on phallic worship and the power of directed will. The androgynous figure with a goat’s beard and cloven hooves is linked to the horned god of antiquity, the goat of Mendes.”

The list of charges used by the Inquisition in 1308 reads:

“Item, that in each province they had idols, namely heads.

Item, that they adored these idols or that idol, and especially in their great chapters and assemblies.

Item, that they venerated (them)

Item, that they venerated them as God.

Item, that they venerated them as their Savior.

Item, that they said that the head could save them.

Item, that it could make riches.

Item, that it could make the trees flower.

Item, that it made the land germinate.

Item, that they surrounded or touched each head of the aforesaid idol with small cords, which they wore around themselves next to the shirt or the flesh.”

(Could this cord be like the Hindu cord, symbolic of the serpent?)

Some said it was a man’s head but others a woman’s head. Some said that it was bearded, others non-bearded. Some presumed that it was made from glass and that it had two faces. This general mixing of ideas shows where the idea of the head could have come from. That it was a man’s head or a woman’s, indicates its ‘dual nature’ – and much like the ancient Celtic heads would incline us to the opinion, that it emerged from part of the supposed ancient head cult.

The Celts, it is said, believed that the soul resided in the head. They would decapitate their enemies and keep them as talismans. Probably the best-known head in Celtic lore is that of Bran the Blessed, which was buried outside London – some say Tower Hill – facing towards France. It was put there to see off the plague and disease and to ensure that the land was fertile – the same powers that were attributed to the ‘Green Man.’ ‘Bearded’ and ‘non-bearded’ simply indicates again the dual nature, as does the idea that it was “two-faced,” like the god Janus. It was apparently called Caput 58, (Caput meaning ‘Head’) indicating that there may have been possibly hundreds of them. There are also strong links with Islam at this time; links that the Templars should probably not have made in their supposedly Christian world.

It is also said that the name Baphomet was derived from Mahomet – an Old French corruption of the name of the prophet Muhammad. Others claim that it comes from the Arabic word abufihamet, which means ‘Father of Understanding.’

In all likelihood though Baphomet comes from baphe meaning to submerge and mete meaning wisdom, the baphoment therefore being a device for the Gnostic tradition or belief of being submerged in wisdom, itself associated with the concept of the Sophia or wisdom goddess.

Dionysiac Architects

These are said by Masonic historians to be the prime originators of their guilds. A secretive group or secret society with doctrines said by Manly P. Hall (in Masonic, Hermetic, Quabbalistic & Rosicrucian Symbolical Philosophy) to be similar to the Freemasons. They are thought to have been great builders, reminiscent of the idea of the great builders who escaped India.

It was this secret society, under Hiram Abiff, that supposedly built the Temple of Solomon and erected the great brass pillars now seen as Boaz and Joachim in Masonry. They were also known as the Roman Collegia and were said to have wandered around like the Medieval Masons, building such fantastic places as the Temple of Diana at Ephesus (John Weisse, The Obelisk and Freemasonry.)

Weisse also points out that the Collegia influenced the Islamic building efforts, which were later to become a turning point in Western European architecture after the crusades and possibly via the Collegia’s influence over the Templars amongst others.

These Collegia were also thought to have been known before the Romans in Greece and were said to have worshipped Bacchus. Some even believe that Jesus, when he mentions that he will rebuild the Temple, is pointing out that he too is of the Collegia. Also, considering the Masonic fascination with the Druids, there is little wonder that William Stukely believed them to have been the builders of Stonehenge and other ancient monuments. Many Masonic writers love to associate themselves with the Druids and that they “had a high veneration for the Serpent. Their great god Hu, was typified by that reptile.” George Oliver, Signs and Symbols (Macoy Publishing New York.)

If it is true that the Dionysiac Architects and the Bacchus/Dionysius-worshipping Greek and Roman Collegia – not to mention the later Templar-Freemasonic link - were among the originators of the Freemasons, then it is highly likely that they were linked also with the serpent-worshipping Druids. They were all in fact a later showing of the worldwide serpent cult – the same as those in India, Egypt and elsewhere who all had fantastic building skills and held secrets of the true Elixir. Today we can still see a remnant of this great architectural, serpent-worshipping and secretive cult in the Masons. As George Oliver points out “The Serpent is universally esteemed a legitimate symbol of Freemasonry.”

About the Author

Philip Gardiner is the author of the best selling The Serpent Grail, The Shining Ones, and Gnosis: The Secret of Solomon’s Temple Revealed. He does talks, lectures, has his own radio show and does tours across the world via www.powerplaces.com

Philip has a degree in marketing and 9 diplomas ranging from etymology to holistic medicine. He is hosting the Philip Gardiner’s Forbidden Knowledge Conference UK (FKCUK) in July 2006.

www.philipgardiner.net
www.gardinerosborn.com

Posted on Oct 26th, 2006

Over the course of many years and with more air-miles than I care to remember, I have journeyed on a quest to uncover the secrets of the ancient serpent cults that I reveal in my books. But each time I journey, I discover something new. There truly is a whole new world opening up before our eyes and suddenly and often without warning we are faced with a re-interpretation of history that we are simply not looking for.

Now in another twist in the tale of the serpent I uncover one of the ancient truths about dragons, remembering that in myth and in ancient history, dragons and serpents are intertwined like the coils of a pit viper.

We need to begin in America of all places, for two reasons. Firstly that this is the last place we would even consider looking for dragons, and secondly because the evidence is most profound here in archaeological terms.

The evidence of serpent worship in the Americas can largely be shown via the many serpent mounds that appear across the continent. The most famous by a long way is the ‘Serpent Mound’ of Ohio, Adams County. According to some [1] this marvellous mound is related to Stonehenge and they say that it is the ‘Dragon Guardian’ of the East to Stonehenge’s Secret of the West. Indeed it is thought that the two ancient structures actually do share the same timeline and may very well have born relationship to each other, if indeed ancient man shared the same beliefs and travelled extensively, as is the growing belief of many scholars. Of course Stonehenge is also directly north of that infamous serpent temple, Avebury.

Avebury is a huge British Temple and stone monument erected around 2,000 BC in the shape of a serpent when seen from the sky. Once known as Abury which according to Deane [2] is evidently Abiri or Ab-ir (after the Abiri people or Cabiri who were serpent worshippers). Abir incidentally means the solar snake or fire snake.

Although some have argued whether Avebury should ever have been Abury or Aubury (serpent sun) the fact remains that even as far back as the 17th century there was a Mr Aubury who said himself that it should be pronounced and spelt Aubury (found in the legier-book of Malmesbury Abbey.)

Of course even as Ave Bury, the ‘Ave’ reverts back to the root of ‘Eve’ which we know means ‘female serpent.’ The pathway of Avebury passes through a large circular Temple of the sun emerging and then winding again and ending with an oddly, not quite circular head – directly in line with ‘Snakes Head Hill’ (Hackpen.) The central circle is symbolic of the sun, which is the male principle in the creative process and is symbolized elsewhere as a bull or lion. Once the serpent has passed through or around this sun circle it is recharged for new life.

In Egyptian hieroglyphs we can see similar imagery with the symbol of the snake going over the solar disc, emerging head erect. Overlaid onto Avebury it is the same image! Adding to this, that the snake is often depicted with the ancient Egyptian Ankh symbol dangling from its emergent neck – the Ankh being a symbol of new life – the great circle of Avebury simply has to be the ‘solar disk’ and the pathway the snake – thus illustrating in a painfully labour-intensive way, the ritualistic path of the serpent worshipper towards new life.

The circular aspect of the Stone Circles of Europe are strangely reminiscent of the Temples of Quetzalcoatl, which were “circular, and the one dedicated to his worship in Mexico, was entered by a door like unto the mouth of a serpent.” [3] A very similar ritualistic inference to those based around Avebury and other Stone Circles.

John Bathurst Deane explains in his book on serpent worship, “A third description of temples consecrated to the service of the Ophites god remains to be considered: and these were not only the most rare, the most characteristic, and the most magnificent; but, probably, the most sacred of them all. These were erected in the form of the Ophite hierogram, the serpent passing through a circle.”

This hierogram is the symbol of the serpent, a circle with a snake passing through it, like a needle and thread. He continues, “They were composed, like the circular temples, of a number of Baitulia, or amber stones, so arranged as to describe the mystic circle, through which the still more mystic serpent trailed his majestic form.”

And this is the truth of the Stone Circles and physical hierograms: that they were re-birthing circles, a being born again through the spirit, through the circle. We can even make a remarkable deduction from the strange word “baitulia” mentioned above by Deane. These are betyl stones or serpents eggs. In Wales the serpents were said to emerge and congregate on Midsummer’s Eve to blow into the Serpent Stone-Eggs or Glain Neidr, which is reminiscent of the Roman historian Pliny’s tale of this activity amongst the Gauls. These serpent stones were said to be coloured pebbles, which gave ‘second sight’ and healing. Midsummer’s Eve was the night when the serpents would role themselves into hissing balls and create the glain egg, also known as ‘snake stone’ or ‘Druid’s egg.’ In Welsh myth even Merlin himself went in search of them.

The egg, Cosmic Egg or Cosmogenic Egg is universally seen with the serpent – as in the symbol of the Orphic Egg which is shown with a snake wrapped around it. From the serpent mound of Ohio to Mithras and Cneph, the egg is associated with serpent worship. Why? According to most scholars it is the emblem of the mundane elements coming from the creating god. Therefore it is a symbol of the elements of the universe. But surely there is also another reason; a reason that would relate to early man more than such complex ideas, which are ideas sprung into the mind of modern scientists and scholars?

What is an egg? Simply an ‘entry portal’ into this world. A device to give life. And what animal is seen in relation to this unique device and portal? . . It is the snake. Again, it is the snake – a symbol of the life force – that creates the device, which gives life.

The Egyptian creator deity, Cneph, mentioned above was represented as a serpent with an egg thrusting from his mouth, just like the Ohio Serpent Mound and other places. From this egg proceeded the deity Ptah, Phtha or Ptah – the creative power and ‘father god’ who is the same as the Indian Brahma. These Brahma have been related by scholars to the Jewish Essene community and also to Mithra we mentioned earlier. Mithra was encircled by serpents and can be equated in many ways to Jesus, being a solar divinity and reborn on the 25th of December, like the sun. There is little wonder that a Persian god such as Mithra and a Judaic semi-deity such as Jesus be linked when one understands that the folds of the ancient serpent cult were so all-encompassing that they encircled the globe like a Leviathan. We can even see elements of this when Jesus is equated to the Brazen Serpent of Moses; when we are told to be wise as serpents and that he even shed his shroud or skin once crucified upon the cross. Incidentally, snakes are still to this day nailed to trees in certain parts of Africa as a sacrifice for our sins and for healing remedies.

And so we have circular monuments and serpent mounds associated with the egg, which from all the evidence here simply gives us the conclusion that these were places of rebirth. One would push through the symbolic circle, or out of the egg and slough off the old skin. But, there is more evidence yet to be unearthed and which reveals this sloughing of the skin linked with these ancient sites.

The classical Greeks frequently depicted a serpent squeezing between two upright stones, which they called Petrae Ambrosiae (stone or rock ambrosia); noting that Ambrosia is the nectar and Elixir of the gods. According to the 19th Century archaeologist, Bryant, Stonehenge was seen as Amber stones with nearby Amesbury – previously Ambrosbury - as proof. In this way, the healing abilities of the megalithic stones is attributed to the serpent. In fact we do still find traces of this in many stories about dragons, who protect, serve and heal those ancient people of the stones.

The antiquarian and stone circle spotter extraordinaire William Stukely also found two other ‘serpent temples,’ one at Shap in Westmorland and the other at Classerness in the island of Lewis. In fact Stukely thought that the Greek legend of Cadmus sowing dragon’s teeth alluded to his building a serpentine temple. In fact Cadmus was turned into a serpent (or followed the serpent cult) and stone temples were erected in his and Harmonia’s honour. Pausanius helps us along and points out that “In the road between Thebes and Gilsas, you may see a place encircled by select stones, which the Thebans call The Serpent’s Head.” So, ancient tales may in fact be clues to the real identities of the serpents and dragons of fable, and these real identities may in fact be real and literal places and monuments. Places where, perhaps, snakes were held in high esteem by the ancient ophites or serpent worshippers of the world.

There are many more texts mentioning dragons and serpents, such as the one that Taxiles showed to Alexander the Great and which was sacred to Dionysus. It was said to be of enormous size, walled around and resided in a low, deep place. It is our conjecture that such places, like Stonehenge, were ‘portals’ or ‘gateways’ to the ‘land of the serpents;’ places of mystery and rebirth, where offerings and sacrifices must be made to the serpent benefactor.

Indeed, there is plenty of evidence now from people such as Paul Devereux that show such places were also great resonance boosters. That is, they amplified sound in peculiar ways, thus creating the booming sound of the dragon. They even go as far as saying that the resonance creates spiral and serpent wave-like shapes from the dust and smoke, as the sound wave carries the particles along its serpentine path. The serpent could truly have been seen to rise and heard to roar.

However, most people are not aware that similar mounds and monuments also appear elsewhere and often associated with the serpent or dragon in similar ways.

In 1871 at the meeting of the British Association in Edinburgh, a certain Mr. Phene gave an account of his discovery in Argyllshire of a similar mound, “several hundred feet long, fifteen feet high and thirty feet broad.”

The tail tapered away, while a circular cairn, which he presumed to be the solar disk above the head of the “Egyptian uraeus”, surmounted the head.

Indeed this is not a “one off.” In the Zend Avesta of the Zoroastrians one of the heroes takes a rest on what he thinks is a bank – only to find out that it was a green snake!

Iphicrates related that in Mauritania “there were dragons of such extent that grass grew up on their backs.” Thus showing the highly likely chance that tales of massive dragons in far-off lands could easily be Serpent Mounds.

Other instances of Serpent Mounds however are to be found mentioned by Strabo (Lib xv. P.1022) where two dragons are said to have resided in the mountains of India, one eighty cubits long and the other one hundred and forty. Posidonius also tells of one in Syria, which was so large that horse riders on either side could not see each other. Each ‘scale’ was as big as a shield, so that a man “might ride into his mouth.” Bryant concurs with the belief that these must be ruins of Ophite temples.

And what were these Temples used for?

In ancient Egyptian papyri and in the Mesoamerican, codex borgia there are instances or tales of the King entering the serpent and going through it in-order to be resurrected – much like those we find in the myth of Osiris.

A book said to have been written by Votan (Quetzalcoatl) in the language of the Quiches and thought to have been in the possession of Nunez de la Vega, the Bishop of Chiapas, has some revealing elements – so revealing that the Bishop tried to burn it. Votan says he left Valum Chivim [4] and came to the New World to apportion land among seven families who came with him and were said to be culebra or of serpent origin. Passing the “land of thirteen snakes” he arrived in Valum Votan, founding the city of Nachan (City of Snakes), thought to be modern day Palenque, possibly around 15 BC or even earlier. Votan is said to have made four trips to the east and even to have visited Solomon.

Interesting to Serpent Mounds however is the description of a subterranean passage, which is said to terminate at the root of “heaven.” This was called a “snake’s hole” and Votan was only allowed in because he was the son of a snake. Surely this can only mean that Votan was an initiate in the serpent cult and that there was a ritualised Serpent Mound or pyramid which led to snake heaven or Patala.

The Fenian heroes of ancient Ireland are recorded orally in song and one of them, Fionn, was their ‘dragon slayer.’ One of the legends tells us that:

“It resembles a great mound, its jaws were yawning wide; There might lie concealed, though great its fury, A hundred champions in its eye-pits. Taller in height than eight men, Was its tail, which was erect above its back; Thicker was the most slender part of its tail, Than the forest oak which was sunk by the flood.”

Fionn asked where this great monster had come from and was told, “From Greece, to demand battle from the Fenians.” It seems that the serpent worshippers had come to Ireland, believed to be from Greece, and had fought the ancient inhabitants, leaving behind such terror of them that they became symbolized as this great ‘dragon mound.’ Fionn, it is said, opened the side of the dragon and released the men, going on to kill it. It may be that there is a mixture of wartime fact built in with ritualistic truth in this legend. Emerging from the side of the dragon, as in other myths, gives new life. In this way, it is no different to the Celtic cauldron of rebirth - something else also linked intricately to the serpent…..

Notes

1 See: http://www.greatserpentmound.org

2 John Bathurst Dean in Worship of the Serpent Traced Throughout the World and its Traditions Referred to the Events in Paradise (1830). Deane also believed that the Kaaba or Caabir of the Muslims – which was a conical stone – resolved itself into Ca Ab Ir – the ‘Temple of the Serpent Sun.’

3 Hargrave Jennings, Ophiolatreia

4 Chivim is a Hebrew word, meaning “sons of the female serpent” (or Eve) and may imply a greater knowledge of this journey from a Judaic perspective.

Posted on Oct 25th, 2006

In The Quest of the Holy Grail, a uniquely alchemical tale, the sword is seen as a fiery serpent. It is the sword of King David, made by the wise Solomon (Sol Om On) with a pommel stone of all the colors of the earth, with two rib hilts, one made from the fish of the Euphrates and the other the serpent.

It is said to resemble the sword of Arthur, which itself is said to be serpentine in the Dream of Rhonabwy. When Arthur’s sword is drawn it was said that two flames of fire burst out of the jaws of the two serpents, and so wonderful was the sword that it was hard for anyone to gaze at it. It is necessary for Arthur to maintain ownership of the sword, whether it is the sword from the stone or Excalibur, as it ensures his victory and his life. Malory indicates again the brightness of the sword and its fiery aspect, writing: “but it was so bright in his enemies eyes, that it gave light like thirty torches.” But the sword in the stone does not last long and the Lady of the Lake gives Arthur his Excalibur, and also a serpent scabbard, which ensures eternal life. Malory states quite clearly “for whiles ye have the scabbard upon you, ye shall never lose no blood, be ye never so sore wounded; therefore keep well the scabbard always with you.” It is only when Arthur’s half sister Morgan le Fay steals the scabbard and replaces it that Arthur becomes susceptible to the deadly blows of Mordred. The once prized sword is then returned to the water, the home of the Lady of the Lake – the serpent spirit.

There is a remarkable resemblance between the tales of Arthur’s sword and an unsuspecting Chinese legend. A hero from the 6th century BC named Wu Tzu-hsu threw his sword into a river “It shot forth like a spirit-glow, sparkling brightly as it thrice sank and thrice came to the surface with a great gush and then hovered above the water. The god of the river . . . heard the swords roar . . . he rolled in the waters in a great and frothing frenzy . . . Dragons raced along the waves and leaped out of the water. The river god held the sword in his hand and, frightened, told Wu Tzu-hsu to take it back.” (Mair 1983, 141 and 286.) This story, related in the 8th century AD simply cannot differ from Malory’s tale of the sword. In China there were tales of great swords such as Dragon Spring and others still that leap into the waters surrounded by dragons, which churn up the water. Wu Tzu-hsu’s sword is also called Dragon Spring.

But is there any archaeological evidence for the existence of a real sword or swords, which, were seen as serpents? Well we just so happened to find such evidence in the Catalogue of The Fourteenth Park Lane Arms Fair. Lee A Jones authored a fascinating article entitled, “The Serpent in the Sword: Pattern-welding in Early Medieval Swords,” which immediately made the hairs on the back of our necks tingle. (see http://www.vikingsword.com/serpent.html) Error! Unknown switch argument.

The sword first appeared around 4000 years ago and immediately became the pre-eminent weapon, preferred by the warrior class. Recent metallurgical studies have shown how the complex piled structures or layers improved the sword from as early as 500 BC. Little wonder that the smithy was an important part of legend and folklore, as the skill implied in the making of these swords is substantial. Several rods are welded together down the length of the blade, joining the various levels of metal together. Heated and then pounded into shape, this sword making was an awesome task. Smaller rods that were carburized (improved carbon) were introduced to increase the hardness. This formed steel, an alloy of iron with small amounts of carbon, which was introduced into the edges of the blade as it was stronger and more effective.

Through the 5th to 10th centuries AD sword smiths actually managed to manipulate this piled structure to create wonderful designs within the blade. The method remained virtually unchanged even into the 20th century as can be seen with the daggers of the Nazi’s, who utilized it extensively.

The patterns (seen above) are seen from the varying degrees of trace elements within the different rods, showing alternating shades. The rods are invariably twisted down the shaft, forming a spiral effect. These “twisted” swords are seen as early as the 1st century BC in the La Tene period, although more effectively used from the 3rd and 5th centuries – the very early period of Arthur. Cassiodorus was a secretary of Theodoric and in 520 AD he wrote to a northern Germanic tribe regarding a gift of words praising their skills, especially the shadows and colors seen in the blades, which he likened to “tiny snakes.” In the 10th century Kormaks Saga says concerning the sword Skofnung: “a covering goes with it and thou shall leave it quiet; the sun must not shine on the upper guard, nor shall thou comest to the fighting place, sit alone, and there draw it. Hold up the blade and blow on it; then a small snake will creep from under the guard; incline the blade and make it easier for it to creep back under the guard.” It is the considered opinion of some scientists that this implies that the dew would reveal the pattern of the serpent upon the sword, giving the impression that a serpent is emerging from the sheath.

This inclusion of the serpent in the blade was eventually replaced with iron inlaid letters and symbols, and Christian phrases such as In Nomine Domini (In the name of the Lord). The remarkable archaeological fact of serpents appearing in the designs of 5th century swords links perfectly with the time of Arthur. As the Pendragon or Head/Chief Dragon Lord he would certainly have been seen with such a device and in the stories mentioned above there are textual links in the legend.

About the Author

Philip Gardiner is the author of the best selling The Serpent Grail, The Shining Ones, and Gnosis: The Secret of Solomon’s Temple Revealed. He does talks, lectures, has his own radio show and does tours across the world via www.powerplaces.com

Philip has a degree in marketing and 9 diplomas ranging from etymology to holistic medicine. He is hosting the Philip Gardiner’s Forbidden Knowledge Conference UK (FKCUK) in July 2006.

www.philipgardiner.net
www.gardinerosborn.com

Posted on Oct 24th, 2006

A traditional story relates how one fine day a group of monks were transporting the bones of a Dark Age Welsh Saint from one shrine to another. Having grown weary, the monks rested at a house along the way. One of the other residents of the house was moaning pitifully in pain and so the good prior took some water and blessed it solemnly.

Then most strangely the Prior took a little of the “earth” he found in the skull of a saint and “caused the party to drink it; which was no sooner passed downe into the sicke mans stomack, but he fell soundly asleep, and when he awaked, found himselfe of his daungerous and painefull infirmity perfectly recovered.”

This little story reveals succinctly the existence of a perception that the skull or head of a holy or blessed person could heal – or at least, the contents could. It is also part and parcel of the ‘skull and well’ phenomena, which has perplexed scholars for decades. No distinct idea has come through all the research and scholarly reasoning to clearly explain the reason for the link between the well and the skull or head. So let’s just turn to Skull Cups for a moment and see if there is anything peculiar to help us on our way.

Skull Cups

In Sanskrit these mysterious objects are known as kapala (hence cap and cuppella for cup[1]) and they are generally formed from the oval section of the upper cranium. They served as libation vessels for large numbers of deities, which were mostly wrathful. However, these skull cups are not always associated with wrathful deities, they are also seen with gods such as Padmasambhava who holds the ‘skull cup’ described as holding an ocean of nectar (Elixir) which floats in the longevity vase.

The selection of the right skull is paramount and the users were looking for Tantric powers. Therefore a violent death would always be better, such as decapitation. The symbolism of the Tantric Skull Cups is very similar to the Grail in that they are symbolic of immortality. Even some western alchemical writings advise the use of skull cups in the process of the “great work.” Whereas the Chinese alchemists used cups or vessels made from the “gold” of the great work.

In Old German skull is Scala, which is also a seashell; the symbol used by pilgrims on their way to the shrine of St. James in Spain – a symbol of life. Old Norse it is Skel, which means, “to have scales” or be “scale-like.” The word skoal, now a fairly common drinking cry is also closely related and means to “toast from a skull.” This alone shows the deep-seated element of the skull in Western Europe of the use of a skull for drinking, as skoal was also used to refer to chalice! (The Ukranian word Cherep refers both to skull and chalice.)

We must not forget the Christian Messiah was also crucified at the ‘place of the Skull,’ Golgotha. That is, his blood was spilt into the skull! But there is more to this than meets the eye.

This place, Golgotha, is also connected to the sign Capricorn – the half-goat, half-fish or serpent. Capri is from Latin, meaning “goat” or “head,” and corn is “horn.” This then, is the ‘horn of the head’ or ‘goat’ – the Golgotha.

So Jesus spilt his blood into the secret Grail on that fateful day – the secret Grail being the horn or cup of the skull.

Like the serpent blood is found in the Skull Cups, so too is the blood of Jesus.

Now we can see why the Baphomet head of the Templars was seen as a skull AND a goat; it was a hidden mystery; a mystery which has been misunderstood ever since. The Brazen Serpent, the healing snake, Christ, was lifted up at the place of the skull and his offering of blood was collected – the ultimate sacrifice on the tree of life for the ultimate prize of immortality.

The Tantric skull cups are said to parallel the clay pots of the Vedic sacrifices and the begging bowl of Buddha, which we found in one myth contained the serpent. It is there to serve as a constant reminder of death. The contents of which are often blood, but also the blood of Rudra – the ‘Lord of wild animals’ like Cernunnos.

Rudra’s etymological origins are uncertain. It could mean “the red one” or “the weeper”, or as we have seen previously Rhad means serpent. In other areas it also means the removal of pain or healer. Rudra is identified with Siva and he is the divine healer and we know that Siva is seen as a ‘horned god’ and is connected with the serpent worship. Both Siva, and ‘Siva in the form of Rudra’ are seen in their dynamic aspect as being entwined with serpents. These are serpent deities of old and are connected here with the cup of the head, bringing several disparate elements together – probably because of their being closer to the origin. They have the element of being associated with serpents and they are regenerative serpent deities offering longevity via their blood within a cup.

Livy in Historae mentions a similar Celtic operation from the 3rd century and simply must be connected to the Indian skull cups. Apparently the Boii tribe when they got hold of a victim “cut off the head, and carried their spoils in triumph to the most hallowed of their temples. There they cleaned out the head, as is their custom, and guilded the skull, which thereafter served them as a holy vessel to pour libations from and as a drinking cup for the priest and the temple attendants.”

The sacred water used in the skull cups was often taken from a holy well, where we have established were places linked intrinsically with the worship of the ancient serpent – the idea here is that this ritual practice goes back beyond even the total memory recall of the Celts to a time when the cups employed the real power of the serpent, not just symbolic water. And this is where the story of the serpent and that of St Teilo merge and fuse into one.

As we have already seen the Tricephalic deity heads of Celtic times were hidden, or lodged in wells and watery holy places. The same is true of many cultures, from across the world and across time. Why?

There seems to be a pattern of the offering of heads and skulls of “special people” into a well or spring, followed by the drinking of the water of the well, or indeed the immersion of the body or parts of the body within the water. This placing of the head was not necessarily therefore an offering – more a medical practice . . . the giving of a sacred head, in exchange for health benefits. A votive offering of the most important part of the sacrificial human - like the head of the Baptist on a plate - but which was then altered into items that were human made in similar fashion as we got a little more civilized.

This process became even more direct when the drinking of the water straight from the skull was initiated. We had to wonder, just how far back did this practice go? Especially as we were to discover the practice was universal, with the previously mentioned Tantric Skull Cups also being found in Hindu cultures and similar practices in the Middle East. The question remained however, was it the skull, or the water, which was the healer? And, although it is fairly obvious that neither can heal, what origin did these strange practices point back to?

Back to St Teilo

As far back as the Roman period, Livy – writing in around 17 AD – described how Celtic warriors decorated skulls with gold and used them for drinking cups and for offerings to their gods. It is believed that this was the origin of such practices as those seen not too long ago with the famous St. Teilo’s skull.

St. Teilo’s well is in Wales, at Llandeilo Llwydarth, where the water is renowned the world over for its healing abilities. The skull, Penglog Teilo, is said to be the oldest surviving Welsh skull, still used for healing purposes – indicating the fact that there were indeed many others. At Carmarthen the skull of Ffynnon Llandyfaen was used in the same way – as was the skull of a Welsh nobleman named Gruffydd ap Adda ap Dafydd.

In a paper published in 1893 Sir John Thys cited the examples of Ffynnon Elian and Ffynnon Deilo as remnants of the priestly caste of ‘well keepers’, which had survived into modern times. But why would this practice have occurred? Why would it be so widespread and so ancient?

The answer is to be found in several places but firstly, and as we discovered in The Serpent Grail [2] – the wells and springs of the world are almost entirely linked with the serpent – especially in the healing aspect.

In cultures around the globe the Elixir of Life is hidden beneath the seas and is guarded by the serpent. In the Celtic culture the water is the hiding place and realm of the ‘serpent goddess.’ It is an ancient and wide-ranging association. But, why is the head also associated with these healing waters?

The answer to this one has been made increasingly more difficult with the inception of the Christian church. The church simply could not put up with the paganism found at these places, and, unable to stop the beliefs, which were thousands of years old, they simply hijacked them. Now there are wells across Europe, which are known as the ‘wells of the saints.’ The local pagan cult (which was more universal than local) was adopted into the fold of the Christian church and a “local” saint reinstated in its place. The most common Celtic goddess associated with the serpent and the wells was Brigid, who rapidly became St. Bridget.

Now, scraping back the years of Christian mold which has overgrown the true meaning of the wells and heads is ever more difficult, but not impossible. In-order to do this we decided that we needed to go through some of the stories for ourselves.

Although we in no way agree that there was a head cult as such, it can be easily seen, why some scholars have gone down this path. Take St. Julian for example: From Brioude in the Auvergne, his cult is first mentioned by Gregory of Tours in the sixth century – the same period that Arthur Pendragon is said to have lived. St. Julian is said to have been beheaded next to a spring and later this spring is then said to begin to heal people. None of this is necessarily true in a literal sense. What it may indeed be is a survival of a much older folktale, stolen once again by the church and therefore almost losing its original meaning. But, we can still see the skull or head being associated with the healing waters of the serpent deity. We were amazed to discover that virtually the same story is to be discovered in the stories of the founding Saint of the Sinclair family – the same family intricately linked with the Templars, the Holy Grail, Rosslyn Chapel and the Masons.

The name Sinclair comes from the hermit St. Clare or St. Clere who lived in the town, which is now known as St. Claire sur l’Epte and is located to the northwest of Paris. The area is now known as Normandy, after the Norse invaders, some of whom would later become the actual Sinclair’s.

Clare was born in Kent, England, to a noble family in the ninth century. It is said that his father wanted him to marry a rich heiress. But Clare was austere and aloof. He was too holy to be considered for such things. The lady however took no notice and pursued him with her wily charms. Finally Clare escaped her clutches, but she promised revenge and he had to run to Neustria (Normandy) where he began to live as a hermit.

Eventually the healing abilities of this Buddha like character made him famous and people flocked to him from far and wide. Moving his hut from first ‘this place’ and then ‘that,’ there was no escaping the people seeking cures.

Clare’s past was about to catch up on him however, as the rich heiress, seeking her revenge sent her agents to France to find him. On the 4th November 884, Clare was found in his hut at the side of the River Epte. He had been beheaded. This became the symbol for St. Clare, as it was for St. Denis – the figure of a man with his decapitated head in his arms. And St. Clare’s head and bones are said to reside in the local church, separated by the Altar.

It is said that the blood flowed from his neck in gushes and that a new spring emerged from the ground where the blood had flowed. The hut was transformed into a chapel, the chapel into a church and eventually the quiet, remote hermits dwelling place became the town of St. Clare sur l’Epte. Now the Salle de Fete (Town Hall) at St. Clare sur l’Epte is built entirely of wood from Norway, with the gables being marked with dragon’s heads.

The whole idea that a spring should emerge from where the blood of the dead healer fell is obviously nonsense. It is just not possible, and so, it must be a creation of symbolic element. The wells and springs of the day, and as far back as man can go, have been seen as places of healing and associated with the serpent. That this holy healer, who resided sometimes in caves, had his head chopped off and his blood creating holy water is full of clues. It is not, however, an unusual occurrence.

St. Julian of Brioude in the Auvergne was beheaded at the side of a spring, and later this very same spring was said to be able to cure. St. Juthware’s Well at Halstock in Dorset was created where the head of the saint came to rest – strangely right beside a sacred and so called miraculous Oak Tree. St. Thomas’s Well at Windleshaw was risen where the priest was decapitated during the persecution of Catholics, and there are many more.

The person said to be responsible for the death of St. Clare though was a woman; a similar tale to the Arthurian tale where a lady has a knight decapitated in-order to gain healing power. We also find that the patron Saint of the Sinclair’s is actually St. Katherine, who is often pictured holding the sword, which severed her head!

There is a real reason that the Sinclair’s found their origin in this place. The legacy was theirs to take, or so they believed. But just how did the Sinclair’s come to claim the legacy of the healing saint?

During this ninth century period the swift ships and navigational skills of the Vikings were making life difficult for many Europeans. They were able to swoop down onto a village or town – and although outnumbered by the townsfolk – it is by their speed and surprise that they are able to pillage the area. No sooner had the people realised what had occurred than their attackers were off, back to sea.

What helped them of course was also a difference of religion. The Christians would not attack churches. The Vikings on the other hand seem to relish the prospect, as they were themselves pagans – their religion based around many gods, including the large element of dragon lore.

However, one of these Viking rulers became Christian, Rollo, the first Duke of Normandy, and it is he who became the first in a long line of Sinclair’s, right down to, and beyond, the builder of Rosslyn Chapel – which has the largest collection of Green Men, heads, serpents and dragons we have ever seen in one confined space. This place is linked so deeply with the story of the Holy Grail, that it is therefore no surprise to see it linked-in with the initial stages to the ‘cult of the head’ – as if to see the Sinclair’s associate themselves with it, and then later to hide it.

Rollo, as the first Sinclair, became known as Sanctus Clarus, the ‘Shining Light’ and it is this shining light, which was to become one of the biggest clues in the search for the real Holy Grails. The book, Head of God by Keith Laidler claims that the head of Jesus is in Rosslyn, however we checked with the Rosslyn Templars in-order get their opinion on the matter, the response very kindly came forward “The official position regarding the possibility of the embalmed head of Jesus Christ being at Rosslyn Chapel is that no one knows what is below the chapel. The other ‘official’ position, from the Roman Catholic Church in Scotland, is that the head of Christ is not at Rosslyn Chapel.” (Email received on 23rd May 2003.) Even though there are several attempts to find something at Rosslyn, to date, nothing like the Grail or the Head of Christ has been found.

The truth of all this? The link between the head, the water and the serpent is now simple to comprehend and once thus understood the "shining" element of Sanctus Clarus will become also apparent. You see, the serpent is a world-wide archetypal image from the Other Realm [3] of existence, the place where the ancient shaman, witch, priest, whatever, would go to on our behalf for healing and to converse with the spirits. There are many aspects to this serpent, some beneficial, some terrifying - but it is universal. Water on the other hand was the abode of the serpent as it was the access to the Other Realm. Those who could "walk on water" were adepts at holding the position between this world and the next. We cannot live beneath the waves and so it must be the place after death. The skull is the container wherein lies our consciousness and our connection to these Other Realms. All three aspects come into full union when we access the part of our mind, which induces altered states of consciousness and we become fully enlightened. The gateway to this place is known as the hpnagogic or hypnapompic, between falling asleep or waking, between this world and the next, walking on water.

This ability was special and only the "Baptist" which means to submerge in water, could access this place and therefore his head was special. For this reason the heads of those who were able to access the Other Realm became special to us and we offered their heads to the water deities or indeed upturned their skulls, gilded them and drank from them. We were then ingesting the Other Realm powers within our very selves. Simple really!

Notes

1 The A in cAp covers from above, the U in cUp is a receptor for fluid and these are shapes that have pictographic meaning.

2 The Serpent Grail by Philip Gardiner with Gary Osborn, Watkins, 2005.

3 When we say Other Realm it is simply cover all the myriad names for such a places, which differ slightly across the globe.

About the Author

Philip Gardiner is the author of the best selling The Serpent Grail, The Shining Ones, and Gnosis: The Secret of Solomon’s Temple Revealed. He does talks, lectures, has his own radio show and does tours across the world via www.powerplaces.com

Philip has a degree in marketing and 9 diplomas ranging from etymology to holistic medicine. He is hosting the Philip Gardiner’s Forbidden Knowledge Conference UK (FKCUK) in July 2006.

www.philipgardiner.net
www.gardinerosborn.com

Posted on Oct 23rd, 2006

Pedro Almoldovar was born in 1949 in Calzada de Calatrava in the Castilla la Mancha region of central Spain. Since his film making debut in the eighties he’s written, directed and acted in more than thirty films and can easily lay claim to the title of Spain’s greatest living film director.

Famed for his use of melodrama and his labyrinthine plots, his films have never shied away from serious subject matter – homosexuality, transvestitism and death (particularly death by AIDS) have all popped up as themes throughout his work. Almodovar also likes to use marginalised, socially ostracised characters and groups in his films. It is this hunger for the unconventional that has made people take note of his work. In many respects his films were a response to the decades of oppression under the dictatorship of Franco and Almodovar was at the forefront of an artistic movement that was free to express itself for the first time since the Civil War.

In 2004 the controversial director launched his most recent film at the Cannes film festival. “Bad Education” drew on the directors own experiences at a catholic school during the sixties. The film confronts the sexual abuse of the boys by the teachers and also the homoerotic love of two young students. The film was met with universal acclaim and cemented Almodovar’s position at the forefront of world cinema.

The films success followed on the back of the acclaim of his two previous directorial efforts. “All About My Mother” was released in 1999 to high praise from critics and cinema goers alike; it was a candid story that showed a softer more mature side to Almodovar’s direction and continued his use of women and the idea of sisterhood that is prevalent in many of his works. Almodovar later dedicated the film to “all mothers and any actress who’s ever played a mother” and the Spaniard picked up numerous awards at home and abroad including his first Oscar for “Best overseas film”. In 2002 Almodovar released “Talk to Her” to similar rave reviews and critical acclaim and the film earned him his second Oscar for “Best screenplay”.

Before this golden period in Almodovar’s career, many thought that his talents had lost their direction. His films of the late 80’s and 90’s had come in for some fairly heavy criticism and had been the cause of some fairly fierce debate in cinematic circles. “Tie me up, Tie me Down”, “High Heels” and “Kiki”. Some were lambasted for their supposed misogynistic undertones including a shocking rape scene from “Kiki”. “Tie me up, Tie me down” also came in for some heavy criticism from women’s groups for it’s portrayal of a women who falls in love with her kidnapper.

Almodovar also famously gave a first acting role to Antonio Banderas in his 1987 film “Law of Desire”. Banderas also took on the lead role in the aforementioned “Tie me Up, Tie me down”. Banderas later moved to Hollywood where he achieved great fame as his career blossomed.

Amoldovar is currently shooting his latest offering due for release in 2006; it’s entitled “Volver” (“Filming” in English) and will star Hollywood actress Penelope Cruz, one of Spain’s most successful daughters. At the moment it seems as if the Spaniard can do no wrong and he’s acclaimed as one of the best film makers in the world today having produced many films that are already viewed as cinematic classics. At age 55, it’s clear that the man has still got a lot to offer and we could still be watching his creations for many years to come.

Mike McDougall has five years experience working as a travel writer and marketeer. He is currently working to provide additional content for Babylon-idiomas, a Spanish language school with an excellent presence in Spain and Latin America.

This work is covered by a creative commons license.

Posted on Oct 22nd, 2006

Diego Velasquez is one of Spain’s most celebrated and influential painters, born in 1599 he rose to become the leading artist in the royal court of Phillip IV. Velasquez came along during the contemporary Baroque period and went on to become one of it’s leading exponents alongside the likes of Peter Paul Rubens. Baroque was an elaborate style of painting and was especially good a depicting religious scenes; for this reason, its use was encouraged by the catholic church, its dramatic and direct style perfectly captured the drama of religious imagery.

Born in Seville, Velasquez was the son of a lawyer of noble Portuguese descent. He was well educated in philosophy, religion and languages; his parents clearly intended him for a high calling. Velasquez showed an early passion for art and displayed an obvious talent and began his studies in the discipline in Seville. At age 11 he began studying under Francesco Pacheco where he remained for five years, advancing his talents and absorbing all he could from the art scene in Seville. In 1618 he married Pacheco’s daughter with his mentor’s whole-hearted endorsement.

By 1620 Velasquez’s reputation was assured in Seville as a superb painter; early works such as “Vieja firendo huevos” painted in 1618, displayed his immense talents as he began to display a greater maturity; his works taking on an acute realism. In the latter part of 1622 Velasquez made his first trip to Madrid where he began to paint court figures and garner an excellent reputation. He famously painted a portrait of poet Luis de Gongora y Argote which was extremely well received.

When the King’s court painter died, Velasquez was presented with an opportunity to paint the king who first sat for the painter in 1623. Velasquez completed the portrait in one day and Phillip IV was pleased with the outcome, thus beginning a long and fruitful relationship that saw Velasquez admitted into the royal service. During this period Velasquez painted many portraits of his king, unfortunately most of these are now lost although two excellent examples can be found in the Prado museum in Madrid. In 1627 the king set a competition to find the best painter in Spain on the subject of the expulsion of the Moors and Velasquez duly won, further advancing him in the eyes of the Phillip IV.

In 1629 Velasquez made his first visit to Italy, he sailed from Barcelona in the company of the Marques de Spinola, the conqueror of Breda. The companionship gave him the inspiration for one of his most famous works, “The Surrender of Breda” which he would paint five years later. Velasquez was greatly influenced by what he saw in Italy and in Venice and the Spaniard took copies of many famous works including Tintorello’s “The Last Supper” and “Crucifixion”. He also painted the famous “Forge of the Vulcan” in 1630 which also hangs in the Prado museum today.

On his return to Madrid Velasquez continued to be held in high favour as the Kings favourite painter and this middle period of his career saw him produce some of his greatest works, such as “Christ on the Cross” painted in 1632. At the Kings behest Velasquez also started an academy of art in Spain, something the art-loving Phillip IV had been keen to do for some time.

Velasquez took a second trip to Italy not long after where he produced a startling portrait of Pope Innocent X. After two years he was recalled to Spain and entered the twilight of his career. 1656 saw Velasquez produce “Las Meninas”, undoubtedly the painter’s “magnum opus” and his most famous work. The painting was famously re-worked by Picasso in 1957 to startling effect. Velasquez was to die four years later in 1660 after being stricken by a fever in Madrid, his body was interred in the church of San Juan Bautista – the church was unfortunately destroyed by the French some years later so his burial place is today unknown. What is known however is the legacy that this brilliant painter left, his technical ability and personal style had, quite rightly, earned him a place in the pantheon of art.

Mike McDougall has five years experience working as a travel writer and marketeer. He is currently working to provide additional content for Babylon-idiomas, a Spanish language school with an excellent presence in Spain and Latin America.

This work is covered by a creative commons license.

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